Hugo Canoilas: 'Lesen' Kunstraum Niederosterreich, Vienna, AUT

Image: Hugo Canoilas, Was life that beautiful?, 2013, Mixed media, 30 x 26 x 12 cm, 11 3/4 x 10 1/4 x 4 3/4 in (HC0048) Courtesy of the artist and Workplace Gallery, UK Lesen (Literatur) Kunstraum Niederosterreich, Vienna Exhibition: 16 - 01 -2015 to 14 - 03 -2015 Assunta Mohamed Abd El Azim, Hugo Canoilas, Clemens thought, Petra Egg, Simon Häußle, Barbara Kapusta, Ute Müller, Annelies Oberdanner, Bernhard Rappold, Dorothea clatter, Jakub Vrba, Flora Watzal Information is everywhere, knowledge effortlessly available. On many, if not all levels, simultaneity, networking, multitasking and the pressure to succeed seem unavoidable. If not directly serving one's personal positioning in the universal competition, it has become increasingly difficult to be deeply engaged, to sink into a contemplative state, to focus exclusively on one topic. Time is money, efficiency essential. Language, literature, poetry, stories, novels-also for artists, reading literary texts has become a frivolous luxury if not done for some project-related research, not absolutely useful, not immediately needed. Text and a book, not text and the internet, not text and a Kindle-a different kind of attentive luxury. To hold a book in one's hands, "analog"-the weight, the haptic feeling of turning the pages, the paper, the smell-the world of production and design. In this sense, the exhibition addresses reading (literature) with a major focus on books read and selected by the artists containing texts by twelve authors. Twelve short text citations in the original language form the basis of each artistic work in the exhibition. These attempt at enveloping an atmosphere, they do not appropriate or illustrate. Tones that are related, a brush with the contents, concrete, abstract, poetic. The selected books are provided on a table for viewing and inspiration. The graphic artist and font designer Willi Schmid has provided the graphic design of the text-citations for the exhibition and the catalog. In addition to contributions of the artists, the catalog contains an essay by the author and musician Martin Kubaczek.   Kunstraum Niederoesterreich Herrengasse 13 A-1014 Vienna Tel +43 1 90 42 111 office@kunstraum.net

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Hugo Canoilas: 'O TEMPO E O MODO, PARA UM RETRATO DA POBREZA EM PORTUGAL' Júlio de Matos Hospital, Lisbon, PT

Image: Hugo Canoilas, The Miracle Exists, 2015, Agitprop objects, Installation view, Dimensions variable, Courtesy of the artist and Workplace Gallery, UK O TEMPO E O MODO, PARA UM RETRATO DA POBREZA EM PORTUGAL TIME AND MODE FOR A PORTRAIT OF POVERTY IN PORTUGAL Preview: 16 January 2015 21: 30 H Exhibition: 16 January - 27 February 2015 Pavilion 31 Júlio de Matos Hospital - Hospital Psychiatric Center Lisbon Avenue of Brazil, 53, Lisbon A project by PAULO MENDES and EMÍLIA TAVARES GUSTAVO SUMPTA, HUGO CANOILAS, JOÃO TABARRA, MARGARIDA CORREIA, MARIA TRABULO, NUNO RAMALHO, PEDRO BARATEIRO e RENATO FERRÃO   Recent economic indicators show that in Portugal for the first time since the 1990s, the level of poverty increased. According to recent figures advanced by the National Statistics Institute (INE), the poverty rate is 18.7% - and affects more than two million people. According to INE, a quarter of the population is at risk of poverty. Looking at these segments of the population, there are insurmountable findings that highlight these numbers: under 18 years, families with children in charge and the unemployed are the most affected. These are fragile social groups that are more exposed, and on which the imminence of social shock waves are more violent.   Poverty was one of the social conditions that more was fought, in all political persuasions of democratic regimes in the spirit of minimal social solidarity in order to eradicate the economic exclusion in a state of prosperity. The common denominator of discourse and political action, had a clearly identified public face 'welfare state', which some argue as eradication system of exclusions (economic, social and cultural), and others reject arguing with their economic unsustainability.   Emilia Tavares & Paulo Mendes (Excerpt from exhibition text - Translated into English)   http://planogeometrico.com/OTEMPOEOMODO/

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9 January - 'EXHIBITION' & Tim Etchells 'The Play' curated by Circa Projects at Workplace Gateshead

EXHIBITION 9 January - 21 February 2015 Workplace Gallery, 19-21 West Street, Gateshead Friday 9 January, 5pm 'It's moving from I to It: The Play' by Tim Etchells Booking Essential - Tickets Here Friday 9 January, 6pm EXHIBITION Preview Saturday 7 February, 11am 'Fluid Medium' by Susie Green EXHIBITION is a group show curated by CIRCA Projects at Workplace Gallery, Gateshead. Featuring works by Ian Breakwell & Mike Leggett, Matthew Crawley, Henry Coombes, Tim Etchells, Keith Farquhar, Josephine Flynn, Susie Green and Cara Tolmie. CIRCA Projects present the group exhibition... 'EXHIBITION'... a response to Tim Etchells' ideas reflecting upon the position and nature of a host (an institution) and its relationship with invited guests (which could include artists and the audience, amongst others). 'It's moving from I to It - The Play' by Etchells will take place on the 9th January at 5pm, before the preview of EXHIBITION which will begin at 6pm. EXHIBITION carries an attitude which is interested in the conventions of the gallery situation, the infrastructures within the field of art - attitudes and codes which exist therein. In this sense each artist also shows self-awareness in their artwork and uses humour not only to satirise individuals and groups of people they work with, but their own implicit role within this schema, as an artist. Within each artist's self-conscious position there is a further interest in the archetype - using humour and often pathos. The exhibition will be held in Workplace Gallery, Gateshead - a commercial gallery run by two artists Paul Moss and Miles Thurlow. CIRCA are interested in the standpoint of Workplace where two artists have intercepted the normal hierarchy of art collector/art dealer/artist. The departure point for EXHIBITION is 'It's moving from I to It - The Play' - a new performance for two actors, written and directed by Tim Etchells and commissioned by Form Content, London. This is a touring play and performances have taken place at: Eastside Projects, Birmingham, Spike Island, Bristol, Tate Modern and David Roberts Art Foundation, London. PERFORMANCES 9 January 2015, 5-5.45pm Tim Etchells - 'It's moving from I to It - The Play' (Limited tickets available here £5 each) 7 February 2015, 11am-1pm Susie Green - 'Fluid Medium' (Limited tickets available here £5 each)   Supported by:   About CIRCA Projects CIRCA Projects is a non-profit curatorial organisation active since 2009, who produce contemporary art exhibitions for audiences in the north east of England. We work across different sites and with different partners, to produce projects which cannot be repeated again. We focus upon lens and time based artworks in relation to site and we work with artists who wish to test and push exhibitions at this intersection. This might be through an exhibition at the centre of a transforming regeneration site (Space Release), a sound poetry concert in Newcastle's oldest social club (GIG) or a constructed pavilion/ghost house bringing digital avatars into corporeal experience (Benedict Drew: The Persuaders). Through taking into account the people, places and histories that combine to produce different contexts for art, we aim to stimulate new ways of thinking about how contemporary art is made and shown. This approach in turn produces new audiences for contemporary art and new possibilities for what an art exhibition might be.

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Seasons Greetings from Workplace

Mike Pratt, Hot Summer, 2014, Styrofoam, silicone, enamel, resin and plastic grapes, 241 x 181 x 19 cm Courtesy of the artist and Workplace Gallery Seasons Greetings from all at Workplace Wishing you all the best for 2015   Seasonal opening times:   Workplace Gateshead Closed from Saturday 20th December 2014 - Tuesday 6th January 2015 We will reopen on 9th January 2015 with Exhibition curated by CIRCA Projects including work by: Tim Etchells, Cara Tolmie, Henry Coombes, Ian Breakwell, John Hilliard & Mike Leggett, Josephine Flynn, Keith Farquhar, Matthew Crawley, and Susie Green.  Workplace London  Closed from Saturday 20th December 2014 - Friday 9th January 2015 the current exhibition Mike Pratt, The Meeting of Two Eyebrows will continue until 31st January 2015     Workplace Gallery The Old Post Office 19 - 21 West Street Gateshead, NE8 1AD +44 (0)191 4772200 (open Tues - Saturday 11am - 5pm, and by appointment)   Workplace London 61 Conduit Street Mayfair London, W1S 2GB  tel: +44 (0)207 434 1985 (open Friday - Saturday 10 am - 6pm, and by appointment)   web: http://www.workplacegallery.co.uk/ twitter: @_workplace_ facebook: @workplacegallery instagram: @workplacegallery

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Final week: Cath Campbell / Richard Rigg at Workplace Gateshead

Final Week: the 2 solo exhibitions at Workplace Gateshead Richard Rigg 'After Noon Distance' and Cath Campbell 'Everything we do corrects the space' end on 20th December 2014      Richard Rigg After Noon Distance 1 Nov - 20 Dec 2014  Workplace Gateshead         Richard Rigg After Noon Distance, 2013 Subway light, Wire, Steel, Plastic, Rubber, Battery Dimensions Variable Unique Courtesy of the artist and Workplace Gallery, UK   Private view: http://privateview.net/1/1fcc18f4d367cd52a0d5e9   Workplace Gallery is delighted to present After Noon Distance our second solo exhibition of new work by Richard Rigg. In the darkened ground floor gallery of Workplace Gateshead is a light with fixtures and fittings from a pedestrian underpass; the wiring at one end visibly cut. Maintaining its vertical and horizontal position despite being removed from its architecture, the linear structure of After Noon Distance implies the absent architectural context of the subway; as well as our ambiguous associations with such subterranian spaces. Despite its severed wiring the light remains impossibly on, creating a paradoxical and uncanny situation.   Richard Rigg's sculptures reproduce and manipulate everyday objects, transforming them into reflexive propositions and theoretical paradoxes. Employing culturally resonant objects that signify the foundations of our civilization through drawing upon the histories of science, mathematics and literature, Rigg pitches reason against itself, elegantly and iconoclastically undermining our own rational basis, yet suggesting an ulterior route. Rigg's reductive, minimal works open up potential meanings and ontological possibilities. Attempts to pin the works down into an exact reading are thwarted through their eliptical nature. In his work there is often a direct meeting of its beginning with its end.    Richard Rigg was born in Penrith, Cumbria in 1980 and graduated from Newcastle University in 2005. Recent exhibitions include Satellite Satellite Workplace London, Chance Finds Us MIMA, Middlesbrough, The Difference Loom Iziko South Africa National Gallery, be like water Workplace Gallery, Gateshead, Lacuna Baltic Centre for Contemporary Art (solo), The Inhabitant of the Watchtower High Desert Test Sites, Joshua Tree, California, USA (solo), Cage Mix: Sculpture & Sound Baltic Centre for Contemporary Art, The Glass Delusion The National Glass Centre, Sunderland, Suns Neither Rise Nor Set Royal College of Art, London. Rigg lives and works in Newcastle.    Cath Campbell Everything we do corrects the space 1st November - 20th December 2014 Workplace Gateshead      Cath Campbell for quartets, 2014 HD video (16:9) 2:56 Minutes (looped) Edition of 3 plus 1 AP Courtesy of the artist and Workplace Gallery, UK Click here to view movie online       Cath Campbell  for the yellow smoke, 2014 HD video (16:9) 03:10 Minutes (looped) Edition of 3 plus 1 AP Courtesy of the artist and Workplace Gallery, UK Click here to view movie online   Private view: http://privateview.net/1/c7eab2775e78e9f178f020   Workplace Gallery is delighted to present Everything we do corrects the space our second solo exhibition of new work by Cath Campbell. Two short video works - for quartets and for the yellow smoke continue an on going process of appropriating, manipulating and deconstructing found images and documentary travel photography collected from publications and the internet. The videos are made up of collected footage from travel diaries and documentaries found on YouTube depicting different American States - Alaska and California. Each video is structured as a series of short acts, parts or chapters, and the content of each is determined by the narrative contained in the subtitles. In each found movie clip, the original dialogue is translated through Google's automatic captions, leading to a series of slight mistranslations that lends a poetic subtext to the work. The disparate film clips are then carefully stitched together to create a dreamlike narrative that refers to the literary device of the 'inner monologue' or 'stream of consciousness' in which the writer attempts to remove rational thought, instead presenting the inner consciousness of the character. Each title is taken from a poem by T S Elliot, who uses this device in his work.   In making each work Campbell films the original video on her phone, direct from the computer screen, allowing the process to slightly distort the image and bleach the colour, and deliberately revealing the scratches and marks on the screen. These filmed clips are then edited and stitched together on her phone and uploaded back to Youtube, where the final subtitles are them added, and the work is re-filmed in HD to create the final work. This deliberately lo-fi mode of working intentionally reveals the layers of translation from the source material to final work, making apparent the fiction of the resulting film, and the contrasting experience of the artist and (documentary maker), in an attempt to explore relationship between reality, desire and experience.    Cath Campbell was born in Ilkeston, Derbyshire in 1972 and graduated from Newcastle university in 1995. Recent exhibitions include Satellite Satellite, Workplace London, Mostyn Open 18, Oriel Mostyn, Wales, An arrangement in white, XO, Leeds, UK, Ideal Mexico, Workplace Gallery, Gateshead, Enter slowly, The Lab, San Fransisco, USA, Natural Language [nach-er-uhl lang-gwij], Vitrine Gallery, London UK. Recent commissions include Untitled (Trellis), Trinity Hall College, Cambridge, UK, '21 arches instead of a gate', London, UK and 'marathon', Washington DC, USA. Campbell lives and works in Newcastle, UK.     Workplace Gallery The Old Post Office 19 - 21 West Street Gateshead, NE8 1AD tel: + 44 (0)191 4772200 (open Tues - Saturday 11am - 5pm, and by appointment)   Workplace London 61 Conduit Street Mayfair London, W1S 2GB tel: +44 (0)207 434 1985 (open Friday - Saturday 10 am - 6pm, and by appointment)   web: http://www.workplacegallery.co.uk/ twitter: @_workplace_ facebook: @workplacegallery instagram: @workplacegallery

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Matt Stokes: "Up Close and Personal" De Hallen Haarlem, Haarlem, NL

Image: Matt Stokes, Jubilee Dancer, 2011, 16mm B/W film with audio, Duration 01:30 minutes, looped (MS0053) Courtesy of the artist and Workplace Gallery, UK Up Close and Personal De Hallen Haarlem 13th December 2014 - 1st March 2015   Sven Augustijnen (BE) Jo Baer (US) Rosa Barba (IT) Thierry De Cordier (BE) Eamonn Harnett (NL) David Hammons (US) Dorota Jurczak (PL) Hassan Khan (UK) Meiro Koizumi (JP) Steve McQueen (UK) George Minne (BE) Matt Stokes (UK) Wolfgang Tillmans (DE) Taocheng Wang (CN)   Affect is central to Up Close and Personal. Art has the ability to immediately touch the viewer, a sensation preceding language and thought. This affective power, which cannot easily be described, is increasingly fading into the background in these times dominated by technology, rationalism and efficiency. The artists in Up Close and Personal deal with the theme of 'affect' in various ways, and the intimate (wordless) dialogue between viewer and work takes centre stage.   http://www.dehallen.nl/en/

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Mike Pratt "The Meeting of Two Eyebrows" Workplace London, UK

Mike Pratt Untitled, 2014, Metal, Leather Jacket, Hair, Wax and motor, 86 x 86 x 195 cm. Courtesy of the artist and Workplace Gallery Mike Pratt The Meeting of Two Eyebrows 21st November 2014 - 31st January 2015   Workplace London 61 Conduit Street London W1S 2GB Friday and Saturday, 10am - 6pm (and by appointment) tel: +44 (0)207 434 1985 http://www.workplacegallery.co.uk   Workplace Gallery is pleased to announce The Meeting of Two Eyebrows the first solo exhibition of Mike Pratt at Workplace London comprising an installation of recent sculpture and painting made during the summer of 2014.   All of the works are loosely based around the theme of the torso, with the wax cast paintings being produced using the same mold. In total there are 5 paintings and 5 vibrating bikers. I had always wanted to work with worn out leather jackets as a material just because they hold a close relationship to painting, with a layered surface revealing actions and incidents. I wanted these objects to be presented as a portrait, emulating an experience. Their frayed hair extensions (garnished with seashells and feathers) allow a non-verbal declaration towards the quintessential outsider, describing their characteristics through materiality. The paintings are abstractions; they mimic each other's form and share a domestic dining room scale. Their nature is pointed towards romantic notions and vague uncertainties. My position whilst making these works was always to push and pull the outcomes of the process, making space to rely on intuitive remarks.   Mike Pratt 2014   Mike Pratt was born in 1987 in Seaham, North East England. He graduated from Northumbria University in 2009 where he was awarded the Paul Mason Sculpture Prize and completed a two-year postgraduate programme at De Ateliers in Amsterdam, Netherlands in 2014 where he currently lives and works. Solo exhibitions include Rubberhead/Rubbernecking B.M.W. Edinburgh, Good Mourning Bell Workplace Gateshead, Cumberland Sausage Extraspazio, Rome, and HUBBA HUBBA, Satellite, Newcastle. Group Exhibitions include Satellite Satellite Workplace London, Zamboni for the Moose Galerie Juliette Jongma, Amsterdam, Offspring de Ateliers, Amsterdam, Riff/Rift Baltic39, Newcastle upon Tyne, Right Eye, Left Eye V8 Plattform für neue Kunst, Karlsruhe, Germany, Title NewBridge Space, Newcastle Upon Tyne, Theatrical Dynamics Torrance Art Museum, Los Angeles, USA, Jesmonite on Paper Malgras Naudet, Manchester and A3 Project Space, Birmingham, BCN Collection Laing Art Gallery, Newcastle, Nice Paintings Grundy Art Gallery, ROTATE Contemporary Art Society,  London, Captain of all Pleasures EMBASSY Gallery Edinburgh, SPECTRUM NewBridge Space, Newcastle upon Tyne, and Some people deserve everything they get The Royal Standard, Liverpool. Pratt is a founder member of the artists group JAMBON.   Workplace Gallery have presented solo booths of Pratt's work at both Art Los Angeles Contemporary and The Manchester Contemporary and included his work in gallery presentations at NADA Miami and The Armory Show New York. His work is included in private collections in the UK, Italy, and USA.   For information regarding available works please contact karen@workplacegallery.co.uk   Mike Pratt Mr D'Arcy, 2014, Wax and Resin, 102 x 87 x 19.5 cm. Courtesy of the artist and Workplace Gallery

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Cecilia Stenbom: "Aesthetica Short Film Festival" York, UK

images: Cecilia Stenbom SYSTEM, 2014, Single Channel HD Film, Duration 10 min 47 sec. Made with support from Arts Council England. Produced by Pins & Needles. Cecilia Stenbom In Waiting, 2014, Duration 10 min 40 sec, Commissioned by Creative England. Produced by Pins & Needles. Courtesy of the artist and Workplace Gallery, UK   Cecilia Stenbom's recent films SYSTEM (2014) and In Waiting (2014) will be screened at Aesthetica Short Film Festival.   SYSTEM will be screened in the artist film section, part of the official selection: Friday November 7th  13:45-15.00 at Friargate Theatre, Lower Friargate, York YO1 9SL Saturday November 8th 10.00-11.15  at According to McGee, 8 Tower St, York, North Yorkshire YO1 9SA Sunday November 9th  17:30-18.45 Friargate Theatre, Lower Friargate, York YO1 9SL   In Waiting will be screened as part of Creative England's iShorts screening: Saturday 8th 15.00-17.00 at Bootham School 49-57 Bootham, York, North Yorkshire YO30 7BU   For more information: http://www.asff.co.uk   The BAFTA Qualifying ASFF: Aesthetica Short Film Festival is a celebration of independent film from across the world, and an outlet for supporting and championing short filmmaking. One of the UK's most exciting site-specific events, this year's festival will take place in 15 iconic venues across the historic city of York from 6 - 9 November 2014. Moving between medieval halls, galleries, museums and cinemas, ASFF invites audiences to create their own unique viewing experience.   In the link below Cecilia Stenbom discusses four of her films which explore notions of fear, perceptions of crime and obsessive compulsive behaviour within society.    http://thisistomorrow.info/articles/the-work-of-cecilia-stenbom   Commissioned by the North East Contemporary Visual Arts Network (CVAN), this is one of eight films that will be exclusively launched in partnership with This Is Tomorrow over the course of eight weeks. Taking stock of the increasing national and international recognition that artists based in the North East are attracting, the films profile and celebrate the recent bodies of work and wider practices of the selected artists.

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Jennifer Douglas: "Confusion in her eyes that says it all" Maria Stenfors, London, UK

Jennifer Douglas, Painting #3, 2014, Floor paint and carbon paper pigment on canvas, 50 x 50 cm Courtesy of the artist and Workplace Gallery, UK. Confusion in her eyes that says it all   Tamsin Casswell Jennifer Douglas Hans Rosenström   Maria Stenfors Unit 10, 21 Wren Street London WC1 0HF  http://www.mariastenfors.com/   Private view: 6 November 2014, 6:30-8.30 Exhibition dates: 7 November - 13 December 2014 Opening hours: Tues - Fri 11am - 6pm, Sat 11am - 3pm and by appointment Confusion in her eyes that says it all brings together three artists who each in turn explore perceptions of intimacy and communication, deceptive illusion and control. Humble, everyday materials are transformed, creating new narratives and spaces that draw us in and make us question the nature of experience. Hereby, the exhibition examines the unique perspective an individual experiences at a particular moment in time, and the altered perceptions evoked by an artwork. In Tamsin Casswell's work, disregarded pieces of fabric are delicately hand-embroidered to create intimate repairs and structures that evoke recollected landscapes and forms. Jennifer Douglas employs a purposefully codified register of materials exploring the relationships between inherent function and renewed significance and twisting interpretation. Hans Rosenström's installation invites a sole spectator into a re-configured space with site-specific audio, in which they themselves become part of a perplexing narrative. In Freudian terms, as human beings add, subtract and modify each of life's obstacles in order to interpret reality, they attempt to balance the unconscious with the conscious. In the exhibition, each artist controls their environment in a dynamic struggle with the viewers' interpretation. The artist's manipulation can therefore be seen as employing different conscious techniques to alter the protagonists' perception. We are left with a resultant space where meanings hover, and outcomes are uncertain. Tamsin Casswell was born in 1984 and lives and works in London. She received her MFA in Art Practice from Goldsmiths College, University of London in 2008. She has been the recipient of numerous awards and bursaries. Exhibitions include Mayor's Parlour Gallery, London, and Cafe Viva, London. She will be exhibiting in The Workers, curated by Susan Collis in London in 2015. Jennifer Douglas was born in 1975, in Amersham, UK. She studied at Newcastle University and Glasgow School of Art. Recent exhibitions include Surface, The Civic, Barnsley, UK; Collecting Contemporary Art, Laing Art Gallery, Newcastle upon Tyne, UK; Out of Sight, Out of Mind, Workplace Gallery, Gateshead; Exit Strategy, Tramway, Glasgow, UK The Short Score, DLI Museum and Durham Art Gallery, Durham; You Shall Know Our Velocity, Baltic Centre for Contemporary Art, Gateshead, UK; FANTASTICA, Grundy Art Gallery & Museum, Blackpool; ROTATE, Contemporary Art Society, London; Northern Futures, The Civic, Barnsley, UK. She was the winner of 2D Salon Art Prize 2012, and Northern Futures. Jennifer Douglas lives and works in Gateshead, UK. Hans Rosenström was born in Lohja, Finland in 1978, and lives and works in London. He holds an MFA from the Finnish Academy of Fine Arts and has received numerous grants and scholarships. Selected solo exhibitions include: Helsinki Contemporary, Helsinki, Finland; Finnish Institute, Stockholm, Sweden; Aboa Vetus & Ars Nova, Turku, Finland; Steirischer Herbst, Graz, Austria. Group shows include: Palais de Tokyo, Paris, France; Bonniers konsthall, Stockholm, Sweden; West Space, Melbourne, Australia; Centro Gabriela Mistral, Santiago, Chile. He was awarded The Finnish Art Association prize, Duukaattipalkinto in 2011 and the Stina Krooks stiftelse art prize in 2010.

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