Machinic Alliances
Rieko Akatsuka, Liz Arnold, Edwina Ashton, Marcus Coates, David Cotterrell, Lucy Gunning, Jaki Irvine,
Paulette Phillips, Kate Smith, Mo Throp, & Clara Ursitti
curated by Maria Walsh, Mo Throp and Danielle Arnaud
4 July - 10 August 2008
Machinic Alliances
Rieko Akatsuka, Liz Arnold, Edwina Ashton, Marcus Coates, David Cotterrell, Lucy Gunning, Jaki Irvine,
Paulette Phillips, Kate Smith, Mo Throp, & Clara Ursitti
curated by Maria Walsh, Mo Throp and Danielle Arnaud
4 July - 10 August 2008
The 'machinic' is a process that expresses our capacity as humans to form alliances with non-human forces, be they animal, insect, plant or virus. The exhibition 'Machinic Alliances' takes this Deleuzian premise as the basis from which to propose unholy affiliations between categories of human/animal/technological.
The artworks in this exhibition seek to question, challenge, and flirt with traditional concepts of Western subjectivity. Thrown to the wind is the plot of an original wholeness and purity. Instead, 'machinic alliances' scramble and graft singular identities, creating perverse formations that escape the Oedipal trap of filiation (Donna Haraway 2004). These formations or assemblages have no father, like Frankenstein, and eschew anthropocentric identification. In their multiplicity, they push against the limits of form.
Categories are undone.
Awkward conjoinings arise.
Inhuman differences emerge.
But paradoxically, it is here in the interstitial spaces proposed by 'machinic alliances' that we can learn how to live differently. In these spaces, we can experience the 'mutual interdependences and productive mergers of forces' that characterise subjectivity at the end of the postmodern (Rosi Braidotti, 2006). The ‘new’ alliances explored by the artworks in this exhibition do not reproduce the antagonism of one self against another self, but generate a bestiary of possible selves, liberating us from the alienating problematics of narcissistic recognition and opening us up to the creative becomings of being. The artworks in this exhibition propel us to imagine wacky and wonderful possibilities for our identities. Disturbing, yet pleasurable, these 'machinations' acknowledge the difficulty of difference, yet relish in the production of anomalous differences that exceed categorization.
A catalogue will be published with writings by Rosi Braidotti and Maria Walsh
Danielle Arnaud contemporary art
123 Kennington Road London SE11 6SF
www.daniellearnaud.com
Image:
Marcus Coates
Red Fox (Self Portrait)
1999
Archival Inkjet Print
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