Friday, April 12, 2013

Catherine Bertola : "Flicker" Gawthorpe Hall, Padiham, UK

Image: Catherine Bertola Flicker (Scene 3: An Edwardian Lady, 1910),  2013, Digital Film (Still), Duration 4.42 Minutes,  Photo: Simon Warner, Courtesy of the artist and Workplace Gallery, UK


Catherine Bertola


Gawthorpe Hall

Burnley Road

Padiham, Lancashire BB12 8UA, UK

Twitter: #GawthorpeHall #CHFlicker


23rd March - 3rd November 2013

Wednesday to Sunday (and Bank Holidays) 12 noon - 5pm

Flicker is a new installation by renowned British artist Catherine Bertola at historic Gawthorpe Hall in Padiham, Lancashire. Flicker was commissioned by Mid Pennine Arts and Lancashire County Council's Museum Service as part of Contemporary Heritage.

Flicker was inspired by the artist's first visit to the Hall, when she discovered a family photograph album from the early 20th Century. Catherine was struck by the difference between the rooms as they currently appear and the photographic images. From this the idea developed to try and recreate a sense of how the spaces in the Hall may have looked at different moments in time.

"I am fascinated by how photography captures and preserves fleeting moments of time, allowing us a glimpse into the past from the present. The images in the albums provided a different view of the rooms I had walked through, illustrating how they were once inhabited, filled with the clutter of everyday life as opposed to the stripped back and orderly manner in which the rooms are now presented.

I am interested in how the space can be seen from different perspectives, through the eyes of different people who have occupied the space over the course of its history."

Camera obscura devices are located in the Great Hall (or Dining Room), the Drawing Room and the Long Gallery.  Each lens captures an image of the interior space in which it stands.  Into these static images, scenes from the past flicker into view, allowing glimpses of events and people who have occupied the building over the course of its existence - from meetings during the Civil War period, to Victorian dinner parties and children playing in the 1950s.

Alongside each camera obscura is a pamphlet, written by Catherine Bertola, with contributions from Pennine Ink Writers' Workshop, which offers you another glimpse of the past in the present. You can download versions of them here:  Great Hall (or Dining Room); Drawing Room and Long Gallery.

Catherine's practice involves creating installations, objects and drawings that respond to specific sites, collections and historic contexts. Underpinning the work she makes is a desire to look beyond the surface of objects and buildings, to uncover forgotten and invisible histories of places and people as a way of reframing and reconsidering the past.

The pieces she has created were made with the involvement of the local community, some of whom live in the vicinity of the Hall. The work acknowledges the Shuttleworth family who called Gawthorpe home for over 300 years, as well as the extensive textile and costume collections housed onsite.

Catherine Bertola was born in Rugby in 1976; she studied Fine Art at Newcastle University, and currently lives and works in Gateshead, UK. She has worked on a number of commissions and exhibitions, nationally and internationally with institutions such as; Museum of Arts and Design (New York, USA), Kunsthalle zu Kiel (Kiel, Germany), Whitworth Art Gallery (Manchester, UK), Oriel Davies (Newtown, UK), National Museum Wales (Cardiff, UK), V&A (London, UK), Artium (Vitoria Gastiez, Spain), Cornerhouse (Manchester, UK), The Government Art Collection (UK), Millennium Gallery (Sheffield, UK), The National Trust and Vital Arts (London, UK).

She has work in several public and private collections and is represented by Workplace Gallery, Gateshead and M R Fricke, Berlin.

Supported, using public funding, by Arts Council England; ACE Grant for the Arts and Lancashire County Council's Museums Service.